The course aims to provide students with a fluency in and understanding of film’s unique language as it evolves technologically, historically and generically.

... thus developing a theory of filmmaking based solely around the juxtaposition of images: Soviet Montage. This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. Upper Level Course - 400 level or above (1 required)

Feminist film theory will be used to examine both Hollywood and independent films. This course is considered necessary in support of the new English Department track in Film and Media Studies. Genre/Director/National Cinema (1 required) IV.

209A. GERM 880 German Cinema Theoretical and critical approaches discussed may include: realist theory, genre criticism, auteur theory, structuralism, feminist theory, and journalistic criticism. Film History/Theory (1 required) III. Study of redefinition of aims and methods of film theory through contemporary writings. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Course Description. The course engages with a broad selection of films, principally from Europe and America, that are relevant to the theoretical issues at hand. This collection of free online filmmaking courses is designed for anyone who wants to work in the film industry, improve their filmmaking skills, or simply loves film and wants to know more about it. Graduate Film Courses. ENGL 881 Studies in Cinema. 2. Course Description: This course develops an advanced understanding of film as a complex cultural medium through the discussion of key theoretical and critical approaches. This course introduces students to film aesthetics through the analysis of film form and style. film theory through an examination of historically significant writings that analyze film form and its social functions and effects. COMM 758 Studies in Film and Television. These courses are designed as an introductory and advanced level of film appreciation, consisting of: history of film and filmmaking, inventions, genres, film critique and analysis, design, music, current film trends, directors, actors, and public response. Spring 2008 Film Theory and Criticism. The M.Phil. The course is primarily organized chronologically, with a focus on particular theorists, schools of thought, the forums in which many key writings have appeared, and relations between theory and practice. Film History and Theory Foundation (6 credits) (Prerequisite for both courses: ENGL 245/FILM 245 or SLLC 283/FILM 283. The course emphasizes what distinguishes film from other arts as well as its socio-historical causes and consequences. Course Description: This course develops an advanced understanding of film as a complex cultural medium through the discussion of key theoretical and critical approaches. Soviet Montage: Crash Course Film History #8 CrashCourse. Spring 2008 Film Theory and Criticism.

S/U or letter grading. Dale M. Hudson (Section 02) Description. for Humanities) Or SLLC 283/FILM 283: Introduction to Cinema Studies. Minimum course requirements to obtain the Certificate: 6 courses (of 3 credits or more), in the following 5 Categories (each course counts for only one category): I. 208C. Listed in: English, as ENGL-84 Faculty. FREN 714 French Drama and Film. Introduction Course (1 required) II. Current issues in film criticism and theory and an exploration of critical perspectives (psychoanalysis, feminism, structuralism, post-structuralism) informing recent debates in film studies. 1. )FILM 301 Cinema History I: The Silent Era FILM 302 Cinema History II: The Sound Era

Through the study and analysis of film texts, and through practical exercises in film production, the film course develops students’ critical abilities and their appreciation of artistic, cultural, historical and global perspectives in film. It includes some attention to theory of narrative.

It aims to sharpen appreciation of major works of cinema and of literary narrative. The Theory, History, Practice strand is a unique opportunity to embark upon a detailed investigation into the intellectual currents and aesthetic concerns surrounding the study and practice of film and digital media. This course investigates relationships between two media, film and literature, studying works linked across the two media by genre, topic, and style. AMST 880 American Film and Media History. Requisite: course 208B. Seminar: Contemporary Film Theory (6) Seminar, three hours; film screenings, four to six hours.

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